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・ Kenneth E. deGraffenreid
・ Kenneth E. Gruennert
・ Kenneth E. Hagin
・ Kenneth E. Hartman
・ Kenneth E. Iverson
・ Kenneth E. Killoren
・ Kenneth E. Lee
・ Kenneth E. Melson
・ Kenneth E. Parris III
・ Kenneth E. Priebe
・ Kenneth E. Stager
・ Kenneth E. Stumpf
・ Kenneth E. Thorpe
・ Kenneth E. Tovo
・ Kenneth E. Train
Kenneth E. Tyler
・ Kenneth E. Wing
・ Kenneth Eager
・ Kenneth Earl Hurlburt
・ Kenneth Eather
・ Kenneth Eaton
・ Kenneth Edgeworth
・ Kenneth Edward Gentry
・ Kenneth Edward Untener
・ Kenneth Edwards
・ Kenneth Edwards (golfer)
・ Kenneth Edwards (taekwondo)
・ Kenneth Ehrlich
・ Kenneth Eichner
・ Kenneth Ekman


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Kenneth E. Tyler : ウィキペディア英語版
Kenneth E. Tyler

Kenneth E. Tyler, AO (born December 13, 1931) is a master printer, publisher, arts educator and a prominent figure in the American post-war revival of fine art, limited edition printmaking. Tyler established leading print workshops and publishing houses on both West and East coasts of the United States and made several innovations in printmaking technology. His technical expertise and willingness to experiment on a bold scale drew many famous and influential artists to his workshops, among them Frank Stella, Helen Frankenthaler, Roy Lichtenstein, David Hockney, Robert Rauschenberg and Jasper Johns.〔Armstrong, Elizabeth & Gilmour, Pat (1987). ''Tyler Graphics: catalogue raisonné 1974–1985''. Walker Art Center, Minneapolis.〕 Ken Tyler remains active as an educator and promoter of fine art printmaking, and mentor of a younger generation of printers through his various training and collecting institutions in Singapore, Japan, Australia and the US. The largest collection of prints produced at Tyler's successive workshops is currently held by the National Gallery of Australia.
==Early life and education==
Ken Tyler was born in East Chicago, Indiana in 1931. His father was Romanian and his mother Hungarian, and his parents both emigrated as young children to United States. There Tyler’s father (whose family name was Tyira, converted to Tyler in the US) worked in the Indiana steel mills from 12 years of age and also learned the trade of a stonemason. This background gave Tyler an early appreciation of the need for technical excellence.〔Kinsman, Jane (2002). ''The Art of Collaboration: The Big Americans''. National Gallery of Australia, Canberra.〕
Encouraged by his school music teacher, Tyler developed an interest in the visual arts and subsequently studied at the Art Institute of Chicago from 1950 to 1951. Coming from a family of modest means, Tyler sought paid employment throughout his student years. From 1951 to 1952 he studied liberal arts at Indiana University, which, according to Tyler, consisted of "one semester at the campus in Bloomington, Indiana and one semester at Gary, Indiana extension while I worked full time in the Gary steel mill and attended evening classes at the extension".〔Kinsman, Jane (2002). ''The Art of Collaboration: The Big Americans''. National Gallery of Australia, Canberra〕
Originally Tyler had planned further studies at the Sorbonne in Paris. It was during the Korean War, and while applying for his passport in September 1952, he was drafted for military service. After undergoing basic training, he excelled as an officer candidate and won the opportunity to return to college, where he was given the title of ‘Regimental Staff Artist’, maintained an active private painting studio and also edited the Officer Corps newspaper.
Tyler studied further following his time in the army, earning a bachelor's in art education from the Art Institute of Chicago in 1957. Tyler then studied lithography under Garo Antreasian at the John Herron School of Art, Indiana, graduating with a Master of Art Education in 1963.

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